Free Essays on African Art

Djennà ©, the oldest known city in sub-Saharan Africa is situated on the floodlands of the Niger and Bani rivers, 354 kilometers (220 miles) southwest of Timbuktu. Founded by merchants around 800 AD (near the site of an older city dating from 250BC), Djennà © flourished as a meeting place for traders from the deserts of Sudan and the tropical forests of Guinea. Captured by the Songhai emperor Sonni 'Ali in 1468, it developed into Mali’s most important trading center during the 16th century. The city thrived because of its direct connection by river with Timbuktu and from its situation at the head of trade routes leading to gold and salt mines. Between 1591 and 1780, Djennà © was controlled by Moroccan kings and during these years its markets further expanded, featuring products from throughout the vast regions of North and Central Africa. In 1861 the city was conquered by the Tukulor emperor al-Hajj 'Umar and was then occupied by the French in 1893. Thereafter, its commerci al functions were taken over by the town of Mopti, which is situated at the confluence of the Niger and Bani rivers, 90 kilometers to the northeast. Djennà © is now an agricultural trade center, of diminished importance, with several beautiful examples of Muslim architecture, including its Great Mosque. In addition to its commercial importance, Djennà ©, was also known as a center of Islamic learning and pilgrimage, attracting students and pilgrims from all over West Africa. The large market square of Djennà © is dominated by its Great Mosque. Tradition has it that the first mosque was built in 1240 by the sultan Koi Kunboro, who converted to Islam and turned his palace into a mosque. Very little is known about the appearance of the first mosque, but it was considered too sumptuous by Sheikh Amadou, the ruler of Djennà © in the early nineteenth century. The Sheikh built a second mosque in the 1830’s and allowed the first one to fall into disrepair. The present mosque... Free Essays on African Art Free Essays on African Art AFRICAN ART The traditional art of Africa plays a major part in the African society. Most ceremonies and activities (such as singing, dancing, storytelling, ect.) can not function without visual art. It can also be used as an implement and insignia of rank or prestige, or have a religious significance.African art consists mainly of sculptures, paintings, fetishes, masks, figures, and decorative objects. Sculptures are considered to be the greatest achievement for African art. A majority of the sculptures are done in wood but are also made of metal, stone, terra-cotta, mud, beadwork, ivory, and other materials. It is found in many parts of Africa but mainly in western and central Africa. Many ancient rock paintings have been found in Southern and Eastern Africa. These paintings are believed to be attributed to the SAN (Bushman) people. Masks and fetishes are often used to scare off bad things such as evil spirits, witches or ghosts. They are also used to bring about a desired end-break a bad habit, improve ones love life, or kill a natural or supernatural enemy. There are three basic themes of African art. The first is the dualism between bush and village. African tribes wear masks and headresses: the male is represented by the elephant, the most powerful of bush creatures and the female is delicately coiffed to express refinement and civilization. The second theme of African art is the problematic relationships between the sexes.African tribes use art as a therapeutic device to deal with the problems and issues dealing with the relations between the sexes. The third theme is the struggle to control natural or supernatural forces to achieve a desired end. African tribes often use masks in ceremonies (called Gelede) to please and honor the forces. For each region in Africa,there is a different style of art. The western Sudanic Region have ma... Free Essays on African Art Djennà ©, the oldest known city in sub-Saharan Africa is situated on the floodlands of the Niger and Bani rivers, 354 kilometers (220 miles) southwest of Timbuktu. Founded by merchants around 800 AD (near the site of an older city dating from 250BC), Djennà © flourished as a meeting place for traders from the deserts of Sudan and the tropical forests of Guinea. Captured by the Songhai emperor Sonni 'Ali in 1468, it developed into Mali’s most important trading center during the 16th century. The city thrived because of its direct connection by river with Timbuktu and from its situation at the head of trade routes leading to gold and salt mines. Between 1591 and 1780, Djennà © was controlled by Moroccan kings and during these years its markets further expanded, featuring products from throughout the vast regions of North and Central Africa. In 1861 the city was conquered by the Tukulor emperor al-Hajj 'Umar and was then occupied by the French in 1893. Thereafter, its commerci al functions were taken over by the town of Mopti, which is situated at the confluence of the Niger and Bani rivers, 90 kilometers to the northeast. Djennà © is now an agricultural trade center, of diminished importance, with several beautiful examples of Muslim architecture, including its Great Mosque. In addition to its commercial importance, Djennà ©, was also known as a center of Islamic learning and pilgrimage, attracting students and pilgrims from all over West Africa. The large market square of Djennà © is dominated by its Great Mosque. Tradition has it that the first mosque was built in 1240 by the sultan Koi Kunboro, who converted to Islam and turned his palace into a mosque. Very little is known about the appearance of the first mosque, but it was considered too sumptuous by Sheikh Amadou, the ruler of Djennà © in the early nineteenth century. The Sheikh built a second mosque in the 1830’s and allowed the first one to fall into disrepair. The present mosque...