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Susan Glaspell In Trifles, Mrs. Hale weaves the story or describes the circumstances, Mrs. Peters weighs the evidence and determines the counselor of justice, and Mrs. Wright carries out the verdict; although the procedure is somewhat reversed, the mythic apparitional rite is performed nevertheless. Susan Glaspells use of the Fates, or the Three Sisters, does not break a musical mode her dramatization of women who are oppressed by men. Although some think that the mogul of the Three Sisters rivals that of Zeus, Glaspell reminds her audience that, regardless of myth or twentieth-century law, it tranquillize takes three women to equal one man. That is the inequality on which she focuses. On the surface, Susan Glaspells one-act play Trifles focuses on the death of an oppressive save at the hands of his emotionally abused wife in an dislocated and remote farm in the Midwest. Beneath the surface, the bodied behaviors of Mrs. Hale, Mrs. Peters, and Mrs. Wright in Glaspells p lay bear strong resemblance to those of the Fates (Clotho the Spinner, Lachesis the Disposer of Lots, and Atropos the bid of the Thread) in Greek mythology.

Although Glaspell brings new vigor to the myth, the attention tending(p) to Mrs. Hales resewing the quilt, the qualifying in Mrs. Peterss perspective on law and justice, and the rope primed(p) by Mrs. Wright around her husbands neck are nonetheless grounded in the story of the Three Sisters who control the fate of men. I alike(p) the look she writes, like if she is writing a script for a movie. I dont know what it is called, but the way she puts charac ters in her stories. Credit needs to b! e given to: hypertext conveyance of title protocol://www.enotes.com/trifles/glaspells-triflesIf you want to get a full essay, place it on our website: OrderCustomPaper.com

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