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Thursday, January 26, 2017

Cinema - In a World of Its Own

The main question aimed to dress here is precisely if celluloid is indeed a being of its own. Apparently simple, this question comprehends a wide range of aspects and specifities non only related to movie but also to preceding optical devices such as photography. \nThroughout the analysis of arguments, close to opposing, some backing up the concept of photographic pip as a second instauration (Frampton, 2006: 1), other relevant issues lead arise such as the way in which is manageable for us to engage with delineation if we consider that it represents a cosmos other than our own. \nIn consecrate to answer to the proposed question, unitary must(prenominal) first understand moving picture as a expert visual device, perhaps one of the most effective when considering its potentiality of affecting individuals and society in general. When movie house appeared, and as famous by Crary (1988), it founded a modernfangled paradigm in the visual culture by do a rupture with all in all the previous optical devices: cinema does not try to reverberate any pre-existing existence; instead, cinema produces a new reality where its own realism, justice and objectivity are project to work.\nHowever, in the beginning of the nineteenth century there was purge so who believed that film promised the registration of delicate materiality sans subjective treatment (Dasgrupta in Colman, 2009: 340), a first moment previously placed upon photography.\nRancire eliminated this mind-set by affirming that if the eye of the photographic camera wants nothing, as previously utter by Epstein, that why it is make to want something by the film-maker (Rancire quoted in Dasgrupta, 2009: 340). This equally represents a play point caused by cinema as it, contrarly to photography and even to the perspetive technique in painting, neer denied its subjetive dimension, going even come along by re-incorporating the human visual sense and accepting that the production of im ages is needs connected with the establishment of points of view.\nIn order to understand whether film is a reflection of reality...

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