Menace II Society and Colonization :: essays research papers

A crooked childhood its what the centering I am,Its got me in the state where I dont give a damn,Somebody helped me but instantaneously they dont hear me,I guess I be another dupe of the ghettoSo I guess I gotta do what so I aint finishedI grew up to be a streiht up menace, geah.-Streiht Up Menace by MC Eiht The song lyrics above are from the soundtrack of the movie house Menace II Society and correspond assumely to the hardships that people are given when growing up in the ghetto and when surrounded by a life of violence. Because they know nothing other than this aggressive and brutal way of life, they continue this violent cycle and rarely break away to develop a new way of life.Twin brothers Albert and Allen Hughes direct the film. The Hughes began making movies at age 12, but their formal film education began their freshman course of instruction of high school when Allen took a TV production class. They soon do a short film entitled How To Be A pillager and people began to take notice. Their next work, Uncensored Videos, was broadcast on cable, introducing them to a wider audience. After high school, Albert began taking classes at the Los Angeles Community College Film School. twain short films established the twins reputation as innovative filmmakers and allowed them to direct Menace II Society (1993), which made its world premiere at the Cannes Film Festival and grossed nearly 10 times as practically as its $3 million budget. After following up with pulseless Presidents (1995) they directed the feature-length documentary American Pimp (1999). From the very first scene, flesh out Caine and O-Dogs fatal armed robbery of a Korean market, violence is cruelly graphic. In this instance, the film succeeds in painting a disturbing attend of violence, one in which the characters lack of remorse, rather than stylistic convention, shapes and colors the execration of the image. Although most of the violence is filmed realistically and unfolds in real time, the Hughes cant see to resist stylizing some of the much important narrative events. Thus, while the robbery introduces violence, O-Dogs shooting of the Korean market owner is shown directly only advance into the story, when black and white images of the stores stolen surveillance video are played and replayed for the merriment of Caine, O-Dog, and their friends. While an innovative means of conveying action, the video becomes nothing more than a diversion.